Finding an angle on material

When working with a client, I like to develop their sense of what is interesting about idea, what can be done with it. To do this, we go to the front page of /r/todayilearned, and I ask them which story jumps out to them. Today client picked this one: TIL the Morton salt company raised... Continue Reading →

Glossary of some terms I use

  Alt: An alternative joke or moment for a script. Example: TED: Great idea... not! (alt) That's like the opposite of a good idea! Bottom of the scene: Refers to stuff that happens near the beginning of a scene. Call out: Moments where dialogue or action underlines unusual behavior. Could be a mention, or even... Continue Reading →

The value of straight answers pt. 2

This is a common conversation for people who work in showbiz: "Hey man, I heard you lost your job." "Yeah, between things right now. If you have any leads?" "Do you have the UTA job list? I'll send it to you." "Gee, thanks." Offering up the job list is literally the least you can do... Continue Reading →

Saturday Screenwriting Class

The class would meet Saturdays, time TBD. There would be four 90 minute sessions, and participants would leave the class with a well-structured, forty beat outline.The class costs $70 dollars. Ideally there'd be between 3-6 people.I've done this once[1] before.I learned a lot from my first class and am excited to offer it again.https://thestorycoach.net/2013/12/14/notes-from-the-test-run-of-my-screenwriting-class/%5B2%5Dhttps://thestorycoach.net/2014/01/27/1056/%5B3%5DCLASS BREAKDOWN Class 1... Continue Reading →

In Defense of Story Coaching

When it comes to developing their craft, aspiring screenwriters would do well to take a page from the world of improv comedy. In improv (at least in Los Angeles, at UCB and iO) neophytes start with the basic classes and journeymen aspire to make a performance team - to be one of the rare few... Continue Reading →

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